Conference on Sound, Ecology, and Media Culture
The main goal of The Global Composition 2018 is to bring together transdisciplinary high-level research of scholars, scientists, artists, designers and engineers.
Moreover, participants will be able to discuss innovative cultural and educational practices as well as soundscape artworks by pedagogues and media makers.
This inspiring blend of intellectual analysis, practical design, engaged environmental, social and political work as well as artistic production is what constitutes the essence of Soundscape Studies and Acoustic Ecology.
In order to create occasions for intense auditory experiences in a conference on listening, The Global Composition 2018 plans to offer daily listening workshops. The workshops will introduce practically to some of Acoustic Ecology’s and Soundscape Studies’ genuine methodologies, and – additionally to the auditory experience they provide – will also reflect and analyze them. The keynote workshops aim at fostering the instruments for aesthetic facilitation/media cultural education, research, and creation, relaying their methodologies to Acoustic Ecology’s core thoughts and intentions, and – last but not least – discussing and adapting them, passing them on to younger generations, and ensuring their future practicability.
Keynote workshops will be given by:
will be supported by hFMA. Therefore participation for a limited number of student from the hFMA-network can participate for free! More soon:
- Ioanna Etmektsoglu (Greece) (tbc)
- Eric Leonardson (USA)
- Hildegard Westerkamp (Canada)
Submit your proposals via EasyChair. Deadline for submission: 24.06.2018. Check out the call and the suggested topics here.